Essential reading for those interested in questions of justice and cultural representation, Land/Relations speaks to and moves beyond the critical junctures in the study of Canadian literatures today.
In the aftermath of the Truth and Reconciliation Commission and following Canada’s sesquicentennial, Land/Relations presents a collaborative effort at what Smaro Kamboureli and Larissa Lai call “counter-memory,” a collective effort to recognise “relationships that have always been”—between peoples, between humanity and other living forms, between us and the land—in an effort to avoid erasure, loss, and trauma. Twenty influential literary critics engage a variety of genres—essay, life writing, testament, polemic, poetry—to explore the ways Canadian cultural production has been shaped by social and historical relations and can be given new and various forms to decolonize the institutions associated with the creation of this country’s vision of Canadian literature.

Smaro Kamboureli is a Professor and the Avie Bennett Chair in Canadian Literature in the Department of English at the University of Toronto. The author of On the Edge of Genre: The Contemporary Canadian Long Poem and Scandalous Bodies: Diasporic Literatures in English Canada, which won the Gabrielle Roy Prize for Canadian criticism, she is also the editor of the anthology Making a Difference: Canadian Multicultural Literature and Lee Maracle’s Memory Serves: Oratories, and the co-editor of many volumes, including (with Robert Zacharias) Shifting the Ground of Canadian Literary Studies and (with Christl Verduyn) Critical Collaborations: Indigeneity, Diaspora, and Ecology.

Smaro Kamboureli's profile page

Larissa Lai is the author of two novels, When Fox is a Thousand, shortlisted for the Books in Canada First Novel Award, and Salt Fish Girl, shortlisted for the Tiptree Award, the Sunburst Award and the City of Calgary W.O. Mitchell Award; one book of poetry Automaton Biographies, shortlisted for the Dorothy Livesay Award; and a chapbook, Eggs in the Basement, shortlisted for the bp Nichol Chapbook Award.

Through the 90s, she was a cultural organizer in feminist, GLBTQ and anti-racist communities in Vancouver. Now, as an English professor at the University of British Columbia, she teaches courses on race, memory, and citizenship, as well as on biopower and the poetics of relation.

Rita Wong teaches in Critical + Cultural Studies at the Emily Carr University of Art + Design, Vancouver, BC, Canada, where she has developed a humanities course focused on water, with the support of a fellowship from the Center for Contemplative Mind in Society. She is currently researching the poetics of water, supported by a grant from the Social Sciences and Humanities Research Council of Canada: http://downstream.ecuad.ca/ .

Her poems have appeared in anthologies such as Prismatic Publics: Innovative Canadian Women's Poetry and Poetics, Regreen: New Canadian Ecological Poetry, Visions of British Columbia (published for an exhibition at the Vancouver Art Gallery), and Making a Difference: Canadian Multicultural Literature. She has a passion for daylighting buried urban streams and for watershed literacy. Wong can be found on twitter at https://twitter.com/rrrwong.

Larissa Lai's profile page