Patrick Warner’s Perfection — the follow-up to his award-winning Mole — makes a carnival of our most potent and dangerous obsessions. A factory outlet sells designer human parts at cut-rate prices, a midlife crisis becomes a cleansing ritual, a chocolate-chip pancake stands accused at trial, and the predatory voice of anorexia speaks to a transfixed audience. In descending the rabbit hole of this wildly imaginative collection, we find ourselves amid a field of engagement where destructive ideals of beauty, politics, art, romantic love, and spirituality are ambushed by roguish parody, acerbic satire, life-affirming laughter, and a hard-won pragmatism. And while Warner’s trademark playfulness and formal ingenuity remain intact, his classic arms-length objectivity gives ground to a private and autobiographical directness of style often evaded in his earlier work. In Perfection, where death is certain and certainty is hell-bent on death, Warner refuses to rest on his laurels, continuing to build on his reputation as one of the most respected voices in Canadian poetry.

In 2007, Patrick Warner won the E.J. Pratt Poetry Prize Award for his collection, There, there. His first collection of poetry, All Manner of Misunderstanding, was nominated for the 2002 Atlantic Poetry Prize and for the 2003 Newfoundland and Labrador Book Awards. His work has been published in TickleAce, The Fiddlehead, Matrix, Signal, the Sunday Telegram (St. John's), Poetry Ireland Review, and Metre (Ireland). He lives in St. John's, Newfoundland.

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