The Blue Light
- Publisher
- Playwrights Canada Press
- Initial publish date
- May 2007
- Subjects
- Canadian, Entertainment & Performing Arts
Language tagging provided
Print-equivalent page numbering
Single logical reading order
Next / Previous structural navigation
WCAG level AA
All textual content can be modified
Accessible controls provided
Compliance certification by:
https://bornaccessible.org/certification/gca-credential/
Short alternative textual descriptions
EPUB Accessibility Specification 1.0 AA
No reading system accessibility options actively disabled (except)
Accessibility summary:
A simple book with the cover, author, and logo images described. This book contains various accessibility features such as a table of contents, page list, landmarks, correct reading order, structural navigation, and semantic structure. A number of blank pages in the print equivalent book have been removed resulting in some pages not appearing in this digital EPUB. This publication conforms to WCAG 2.0 Level AA.
WCAG v2.0
Table of contents navigation
Landmark navigation
Compliance web page for detailed accessibility information:
http://www.idpf.org/epub/a11y/accessibility-20170105.html#wcag-aa
ARIA roles provided
-
eBook
- ISBN
- 9781770910362
- Publish Date
- May 2007
Library Ordering Options
Description
Leni Riefenstahl, one hundred years old, is in the office of a young female Hollywood studio executive. Leni’s reason to be there is clear: to make one last desperate pitch to direct her first feature film in fifty years. A thought-provoking contemplation on art, politics, and the seduction of fascism, and a theatrical examination of a woman who danced one perfect dance with the devil and forever changed the way films are made.
Leni Riefenstahl was one of the most remarkable and controversial women of the twentieth century. Dancer, actor, photographer, and filmmaker, Riefenstahl caught the eye of Adolf Hitler with her prodigious first film: The Blue Light. A cinematic innovator, her decision to direct Triumph of the Will, got her blacklisted as a filmmaker until her death in 2003 at 101, unrepentant and mostly forgotten.
About the author
Writer, director, dramaturg, and actor, Mieko Ouchi trained at the University of Alberta’s BFA Acting Program, the Women in the Director’s Chair Program, and the National Screen Institute. Her award-winning films have screened at over thirty festivals, including the Toronto and Vancouver International Film Festivals and Asian American film festivals in San Francisco, New York, Los Angeles, and San Diego. Her plays The Red Priest (Eight Ways To Say Goodbye), The Blue Light, The Dada Play, Nisei Blue, I Am For You, Consent, The Silver Arrow, and Burning Mom have been translated into six languages, been finalists for the 4 Play Series at the Old Vic, UK; the Governor General’s Literary Award; the Gwen Pharis Ringwood Award; the City of Edmonton Book Prize; and Sterling Awards, and have been recognized with the Carol Bolt Award, Betty Mitchell Awards, and the Enbridge Playwrights Award for Established Canadian Playwright. Her work as a director and dramaturg—both at Concrete Theatre where she was Co-Artistic Director and Artistic Director for thirty-one years, and with writers and companies across the country—spans TYA to indie to large-scale work. Mieko now works as Associate Artistic Director at the Citadel Theatre. She lives in Edmonton with her husband Kim and their dog Nara.